Design Fundamentals II
MODULE THREE PROJECTS by Anastasiya Kurova



Project 1: Research
This project gave us a chance to research textiles from the SoHE Helen Louis Allen Textile Collection, and choose one for our inspiration of the chair.

Research Sketches
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For this project, we picked out a textile from the Hellen Louise Allen Collection. Therefore we started working on understanding the history of the piece as well as the design elements in the piece. The design elements that I chose are outlined on the left of this textbox. The ideas that I had compiled for sketches of potential chairs are outlined below. After understanding the history a little better, I could see how much of a difference it makes. The colors, shapes, and events all shape the people as they will shape the future of their design.
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Inspiration from the textile piece.






Six different ideas of potential chair designs
Textile Research
During the Functional Art module, we worked on a project that involved the Helen Lousie Allen Collection. Our task was to create prototypes miniature chairs inspired by the textiles and their historical period. I chose a Russian doily textile for its intricate craftsmanship and vivid focal points. The pink line guides the eye throughout the composition, while the red color reflects the importance of Russian culture.

Date:1967 - 1967
Country: USSR (former)
Continent: Asia
Technique: bobbin lace, braiding, plaiting
Material: Cotton
Dimensions: 5 x 5 in. (13 x 13 cm)
Credit: Gift from the Estate of Professor Helen Louise Allen
Accession Number: L.P.R.0117
This piece was made in 1967, about twenty years after WWII ended. We can infer that by teachings and social standards of patriotism, why these colors might have been chosen in this composition. Whites were the most common. Usually, this design was made and worn by everyday people in the form of garments or sleeves, or used on tablecloths. This piece is part of the Vologda collection. Originating in the city of Vologda, this technique is a process of patience and perseverance passed down through generations in the Russian community.
After WWII society standards increased, more resources became available, and better communities formed. It was a breath of fresh air. People were able to work less and spend more time on things they loved. Society started rapidly expanding its horizons in all aspects of life including film, factories, and traditions. In 1967 the Ostankino TV Tower was built, it overtook the Empire State Building and became the tallest free-standing structure in the world. The Monument “Motherland” was opened around that same time, the most well-known memorial of WWII. Specifically, in textile production, a facility opened in the 1960s not far from Moscow, housing a lot of similar styles as the example shown above. This was the start of gaining more access to resources for the population.
Furniture during the 1960s-1970s reflected the increase of machine-produced resources, resulting in sturdy furniture with a bit of minimalism available to the public. The designs were simple, with popular colors such as red and green, leaving a big impact on feelings of familiarity, home, and nostalgia. Soviet movies produced after the war feature a similar style of furniture all throughout. Films like “Irony of Fate” (1975), “Office Romance” (1977), and “Moscow Doesn’t Believe in Tears” (1979) are all great examples of completely different films, but the use of furniture creates that feeling of nostalgia as if you were back in the 1970s. The pictures below show examples of furniture during this time period.
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Sources
Works Cited
Allrus. “Vologda Lace, History, Craftsmen, Production, Pictures.” Russian Culture, 12 Mar. 2021, https://allrus.me/vologda-lace/.
Contributors to Wikimedia projects. “Вологодское Кружево — Википедия.” Википедия — Свободная Энциклопедия, Фонд Викимедиа, 7 July 2007, https://ru.wikipedia.org/wiki/%D0%92%D0%BE%D0%BB%D0%BE%D0%B3%D0%BE%D0%B4%D1%81%D0%BA%D0%BE%D0%B5_%D0%BA%D1%80%D1%83%D0%B6%D0%B5%D0%B2%D0%BE.
---. “Текстильная Промышленность России — Википедия.” Википедия — Свободная Энциклопедия, Фонд Викимедиа, 10 May 2014, https://ru.wikipedia.org/wiki/%D0%A2%D0%B5%D0%BA%D1%81%D1%82%D0%B8%D0%BB%D1%8C%D0%BD%D0%B0%D1%8F_%D0%BF%D1%80%D0%BE%D0%BC%D1%8B%D1%88%D0%BB%D0%B5%D0%BD%D0%BD%D0%BE%D1%81%D1%82%D1%8C_%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8.
“Mamayev Hill - ‘The Motherland Calls’ - Volgograd - TracesOfWar.Com.” TracesOfWar.Com, https://www.tracesofwar.com/sights/10628/Mamayev-Hill---The-Motherland-Calls.htm#:~:text=%22The%20Motherland%20Calls%22%20is%20most,and%20continue%20advancing%20onto%20it. Accessed 20 Mar. 2023.
“Ostankino TV Tower | Institution of Civil Engineers (ICE).” Institution of Civil Engineers (ICE), https://www.facebook.com/institutionofcivilengineers, 20AD, https://www.ice.org.uk/what-is-civil-engineering/what-do-civil-engineers-do/ostankino-tv-tower/#:~:text=It%20was%20built%20to%20mark,standing%20structure%20in%20the%20world.
“Russian Empire Furniture - 338 For Sale on 1stDibs | Russian Empire Style, Cost of Dental Veneers Charleston Sc, Engagement Rings in Inland Empire.” 1stDibs: Antique and Modern Furniture, Jewelry, Fashion & Art, https://www.1stdibs.com/buy/russian-empire-furniture/. Accessed 20 Mar. 2023.
Sorokina, Anna. “Russian Handicrafts: Why Vologda Lace Is Back in Style - Russia Beyond.” Russia Beyond, Russia Beyond, 20 Mar. 2023, https://www.rbth.com/arts/326456-russian-handicrafts-vologda-lace.
“Вспоминаем Лучшие Образцы Советской Мебели 1970-х Годов | Лавка Старины | Дзен.” Дзен | Блогерская Платформа, Лавка старины, 20 Oct. 2022, https://dzen.ru/a/Y1E3Zn1qV2p-5Ng0.
“Мебель 1960-х. Каталог.: Zina_korzina — LiveJournal.” Ударим Автопробегом! — LiveJournal, https://zina-korzina.livejournal.com/798515.html. Accessed 20 Mar. 2023.

Part Two: Prototypes
Using sketches from Part 1, we produced prototypes that feature our two best designs.






Two prototypes.
For this project, we sketched two of my most promising designs. I choose to pick the egg chair inspiration and restaurant booth chair. I started out working in SketchUp but later decided to go on to work in real-life modeling. This really clarified the design choice to choose. Since when I started to use real-life materials I saw uneven weight distribution, whereas it wasn't seen as clearly on SketchUp. I think another thing that helped me out was my measurements on the outline, they created boundaries and helped me understand how big the project ought to be. I think making the real-life prototypes helped me to understand that I should stick with the booth chair option because it was more enjoyable and more authentic to the textile.


Elevations
Drawing the elevations, I saw that the project was a bit boring on the sides. This is because this is where the detailing of the lacing will be made as seen in the rough prototype above. I think that this element will add authenticity to the composition, as well as represent the culture behind it. I think that this process was very crucial as it helps us think of the following steps and the materials and resources that we plan to use - 3-D printing or laser cutting. In my case, I think it would be best to stick to laser cutting because of the geometric shapes.


Two Elevation Sketches.

Part Three: The Chair
Working our way from gathering inspiration from a textile to making a chair inspired by it.
Behind the Scenes






1. 3-D Printing the Lower and Upper Structure of the Chair in two different colors.
2. Laser cutting the top and bottom of the table with rastering inspired by the textile.
3. Using a Cricut Printer to raster the material - giving it that lace effect that we can see in the backing of the chair.
4. Painting the table middle piece - originally I painted it black, but I preffered white in the end.
5. Taking out the Lower Structure of the Chair and peeling off the backing.
6. Seeing the issue with the chair - broken/melted legs.

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